MUSIQUE ROYALE

Wednesday April 6 2022, 7:00 PM

Bach's Oratorios for Easter and Ascension

Zion Evangelical Lutheran Church
Wednesday 6 April – 7:00 PM

$35 ($30 advance, email musiqueroyale1985@gmail.com), Students $10 at the door.

Featuring

Matthias Maute
conductor

Janelle Lucyk
artistic director / soprano
See preview

William Duffy
countertenor

Arthur Tanguay-Labrosse
tenor

Jonathon Adams
baritone

About

Program

  • Kommt, eilet und laufet BWV 249
  • Lobet Gott in seinen Reichen BWV 11

Bach was a devout Lutheran; the music he composed for the church reveals the full measure of his faith, as can be heard in the sublime settings of his Oratorios for Easter and Ascension. Musique Royale welcomes Ensemble Caprice to Nova Scotia to perform these two magnificent works at Zion Lutheran Church in Lunenburg on Wednesday April 6th at 7:00 pm.

About Ensemble Caprice

In its 30 years of existence, Ensemble Caprice has gained international acclaim as an ensemble whose mission is to inject new life into baroque music. Besides its Montreal concert series, the orchestra tours extensively, and has gained wide recognition throughout Quebec, as well as in the rest of Canada, the USA, Central and South America, Europe and Asia. The Ensemble’s tours have taken its members to Asia, China, Taiwan, Africa, Morocco, Tunisia and South Africa as well as several European Countries and the Americas. It has been the featured guest ensemble in many prestigious festivals, including the Lufthansa Festival of Baroque Music in London, festivals in Bruges (Belgium) and Utrecht (the Netherlands), the Felicia Blumental International Music Festival in Tel Aviv, and, in Germany, the Musikfestspiele Potsdam Sanssouci, the Early Music Days in Regensburg, the Händel-Festspiele in Halle, and the Stockstadt Festival. In the USA, the group has performed at New York City’s Miller Theater and Frick Collection, the Boston Early Music Festival, and the Library of Congress in Washington D.C. In Canada, the Ensemble has been heard in Ottawa at the Music and Beyond Festival and the Ottawa Chamber Music Festival; it has performed at Early Music Vancouver, Early Music Voices in Calgary, the Edmonton Chamber Music Society, the Elora Festival and the International Festival Domaine Forget. This impressive roadmap bears witness to the fact that Caprice is recognised as being one of today’s leading baroque ensembles. In 2009, the New York Times devoted a full article to the Ensemble, praising it as a progressive force on the contemporary musical scene.

Besides its international tours, the group performs a regular Montreal concert series in the Montreal Museum of Fine Arts’ Bourgie Hall. Ensemble Caprice also has a flourishing recording career, with some twenty recordings on the Analecta, ATMA Classique and Antes labels, sold in nearly 50 countries. These recordings have received numerous critical distinctions, including the Canadian Recording Industry’s Prix Juno for Gloria! Vivaldi and his Angels, and four Prix Opus awards from the Music Council of Quebec including a “Performer of the Year” award and a “Concert of the Year” award for the Ensemble’s performances of Antonio Vivaldi’s Juditha Triumphans, Bach’s B Minor Mass (performed as part of the Montreal Bach Festival), and Le Faste de la France, given in collaboration with the Studio de Musique ancienne de Montréal. Caprice’s unique artistic approach has also been recognised by the Montreal Arts Council, which honoured it with the “Public’s Choice” award, and it was among the music finalists for the Grand Prix de Montréal. The ensemble has also received other important nominations from Germany’s Prix Echo Klassik, the Prix Opus committee, and the Association québécoise de l’Industrie du Disque. The prestigious magazine Gramophone included the Ensemble’s recording Telemann and the Baroque Gypsies on its list of recommended CD’s.