Friday March 24 2023, 7:00 PM
Like last year, our audience is invited to sing-along for two pieces in the concert! The director, Matthias Maute, will host an open choir practice at 6:00 pm, where he will rehearse the two pieces with the audience. Scores will be provided, and all are invited! If you would like to download the music in advance they are here: the first movement of Vivaldi’s Gloria and the traditional song Greensleeves.
In the early years of the eighteenth century, music lovers from all over Europe traveled to Venice to hear performances by orphan girls in the Ospedale della Pietà. Among the greatest of the works performed in the Ospedale were Vivaldi’s Magnificat and Gloria, performed on this occasion by female voices alone, as originally intended by the composer. Hear the combined forces of ArtChoral and Ensemble Caprice as a female cast of performers and musicians take on these two historic works by the “Red Priest”! The program also features Vivaldi’s Concerto for Two Recorders and Strings, RV 535.
About the Artists
Ensemble ArtChoral (formerly known as Ensemble vocal Arts-Québec) is a professional choir steeped in the grand tradition of choral music in Québec, with the mission to present professional choral music in Québec, Canada and internationally. Ensemble ArtChoral is a recipient of the Prix Opus for Musical Event of the Year 2020.
From 2021 to 2023 Ensemble ArtChoral, is undertaking a project like no other in the world: Art Choral, the history of choral singing through six centuries. Works by 50 composers from the 16th to the 21st century, with 12 albums, 12 streaming concerts and 120 videoclips distributed in 170 countries, in partnership with ATMA Classique and Mécénat Musica.
Since Matthias Maute’s nomination as its artistic director in 2019, the choir has increased the number of its concerts from three to a dozen per year in Québec and Canada, making a stellar impression in performances in the Maison Symphonique with soprano Karina Gauvin (including an album recorded with ATMA Classique) and concerts at the Montréal Baroque Festival and Ottawa’s Music and Beyond festival.
In 2019, Ensemble ArtChoral celebrated 40 years of musical excellence. From its inception, Ensemble ArtChoral has chosen to perform works from the great masterpieces of the repertoire for the choir. Following the success of its performances of Handel’s oratorio The Triumph of Time and Truth, the choir was chosen to take part in Ensemble Caprice’s 30th-anniversary celebration performances of Bach’s B Minor Mass in Bourgie Hall. Since 2018, the choir has been touring widely in Québec and Canada.
In 2020, Ensemble ArtChoral co founded the initiative Mini-Concerts Santé. 4,900 free Mini-Concerts Santé were delivered from door-to-door to 36,000 children, adolescents, seniors, adults, and families suffering impacts from the pandemic (isolation, loneliness, psychological distress) in 648 disadvantaged streets in 97 regions, cities and neighbourhoods of Québec and Ontario.
Since it was founded by flautist Matthias Maute three decades ago, Ensemble Caprice has made its mark as one of the most sought-after ensembles on the classical music scene. Caprice has gained a solid reputation for its innovative programming and vibrant, compelling performances.
The musicians of Ensemble Caprice have travelled to the four corners of the globe, giving performances in dozens of countries on four continents. The Ensemble’s tours have taken its members to Asia, China, Taiwan, Africa, Morocco, Tunisia and South Africa as well as several European Countries and the Americas. It has been the featured guest ensemble in many prestigious festivals, including the Lufthansa Festival of Baroque Music in London, festivals in Bruges (Belgium) and Utrecht (the Netherlands), the Felicia Blumental International Music Festival in Tel Aviv, and, in Germany, the Musikfestspiele Potsdam Sanssouci, the Early Music Days in Regensburg, the Händel-Festspiele in Halle, and the Stockstadt Festival. In the USA, the group has performed at New York City’s Miller Theater and Frick Collection, the Boston Early Music Festival, and the Library of Congress in Washington D.C. In Canada, the Ensemble has been heard in Ottawa at the Music and Beyond Festival and the Ottawa Chamber Music Festival; it has performed at Early Music Vancouver, Early Music Voices in Calgary, the Edmonton Chamber Music Society, the Elora Festival and the International Festival Domaine Forget. This impressive roadmap bears witness to the fact that Caprice is recognised as being one of today’s leading baroque ensembles. In 2009, the New York Times devoted a full article to the Ensemble, praising it as a progressive force on the contemporary musical scene.
Besides its international tours, the group performs a regular Montreal concert series in the Montreal Museum of Fine Arts’ Bourgie Hall. Ensemble Caprice also has a flourishing recording career, with some twenty recordings on the Analecta, ATMA Classique and Antes labels, sold in nearly 50 countries. These recordings have received numerous critical distinctions, including the Canadian Recording Industry’s Prix Juno for Gloria! Vivaldi and his Angels, and four Prix Opus awards from the Music Council of Quebec including a “Performer of the Year” award and a “Concert of the Year” award for the Ensemble’s performances of Antonio Vivaldi’s Juditha Triumphans, Bach’s B Minor Mass (performed as part of the Montreal Bach Festival), and Le Faste de la France, given in collaboration with the Studio de Musique ancienne de Montréal. Caprice’s unique artistic approach has also been recognised by the Montreal Arts Council, which honoured it with the “Public’s Choice” award, and it was among the music finalists for the Grand Prix de Montréal. The ensemble has also received other important nominations from Germany’s Prix Echo Klassik, the Prix Opus committee, and the Association québécoise de l’Industrie du Disque. The prestigious magazine Gramophone included the Ensemble’s recording Telemann and the Baroque Gypsies on its list of recommended CD’s.
Matthias Maute – director
“With exuberant panache and jaw-dropping virtuosity by the amazing Matthias Maute, who is clearly poised to be early music’s breakout superstar.” –– Kansas City Star
Matthias Maute has carved out an impressive international reputation for himself not only as one of the great recorder and baroque flute virtuosos of his generation but also as a composer and conductor. Since winning first prize in the soloist category at the prestigious Bruges Early Music Competition in 1990, he has led a highly successful career as a recorder and baroque flute soloist. He made his debut in New York’s Lincoln Center in 2008 and has twice been the featured soloist for the Boston Early Music Festival. He records and tours extensively. The Washington Post hailed him as one of the greatest recorder players on the North American musical scene. Since 25 years, Matthias concertizes as member of the New York based ensemble REBEL in North America and Europe. He has been invited to perform as guest soloist or conductor by the world’s most eminent baroque orchestras, including: Seattle Baroque, the Portland Baroque Orchestra, the Cleveland Baroque Orchestra, “Apollo’s Fire” and the Magnificat Baroque Ensemble. In recent years he has also been invited to conduct other renowned orchestras, including I Musici de Montreal and Symphony of Nova Scotia. Matthias Maute is also celebrated for his work as artistic director and conductor of Ensemble Caprice. In this capacity he is known for creating and leading ingenious and captivatingly original programmes. He tours extensively with the ensemble, being regularly invited to take part in prestigious festivals around the globe. In Canada, the group can be heard at the Ottawa International Chamber Music Festival, the Festival international du Domaine Forget, Early Music Vancouver, Early Music Voices in Calgary and the Elora Festival in Ontario. Under his direction, Ensemble Caprice was granted an esteemed JUNO award in 2009 for best vocal/choral classical music album of the year (for its CD Gloria! Vivaldi and his Angels on the Analekta label). Matthias Maute’s compositions are highly regarded and have been published by Breitkopf & Härtel, Amadeus, Moeck, and Carus. He has some thirty recordings to his credit on the Analekta, Vanguard Clasics, Bella Musica, Dorian, Bridge and ATMA Classique labels. Matthias Maute teaches at McGill University’s Schulich School of Music and at the Faculty of Music of the Université de Montréal.